Sherlock Holmes

A Sherlock Holmes movie doesn’t really cry out “action-adventure”, even more so than with the stereotypical image of Sherlock Holmes as the calm, collected, steel-nerved thinking machine. Take that and add in that Guy Ritchie is directing (Snatch, RockNRolla, Revolver) and Robert Downey Jr. (Iron Man) is starring, there’s the possibility that this movie could simply attach a known name to a film that bares little resemblance to the spirit of the material. It’s to this film’s credit that this portrayal of Doyle’s most famous character gives it new life and calls previous incarnations into question.

There’s an interesting scene near the beginning in which Holmes is seated at a restaurant waiting to meet Watson and his fiancee. As he’s waiting, he notices little details: bit of a conversation, the sound of the silverware, a watch ticking. Soon these details grow and intensify with Holmes struggling to maintain composure. It’s a very interesting theory that Holmes brain is wired differently than other people in that he can’t NOT notice the details we all miss. It works to give Holmes a humanity we can appreciate. Another scene takes Joel Silver’s almost patented slow-motion fight sequence and adds Holmes using his deduction to reason the best moves to see a fight through. It works very well.

For the main plot, Holmes and Watson must discover and attempt to foil the plans of Lord Blackwood (Mark Strong, who played Archy in ‘RockNRolla’), a villain who seems to hold supernatural power. Strong plays him well, making him menacing and giving him real character. Rachel McAdams does a great job portraying Irene Adler, possibly the only woman who has ever bested Holmes and could keep his interest. McAdams doesn’t have as much material to draw upon as other actors do for their characters, and I think that freedom to play comes through in the confidence and charisma of her Adler.

The movie is shot in an industrial England that thankfully doesn’t drown in black, but uses gray and heavy desaturation in the colors. It’s a visual choice I don’t think I’ve ever seen Ritchie work with in his previous films, but one that gives the film a unique identity. This is also true of the music, which uses a lot of smaller orchestrations and string quartets to give definition to the time period.

This was well worth seeing in the theater at least once, and it’s worth a purchase once it’s released to homes. A very good action film with some brains behind it.